BOTTOM Dog Theatre Company returns for its 15th production, a world premiere from the pen of Myles Breen that will be directed by Liam OโBrien. โA Wilde Fanโ opens at Belltable on Thursday 7, playing nightly into Saturday 9 at 8pm.
โA Wilde Fanโ is a solo run from Myles that follows on his 2009 international hit, โLanguage Unbecoming a Ladyโ. City of Culture 2014 made possible their companyโs next original effort โThe Bachelor of Kilkishโ and it will delight many that new theatre-making is possible again for Bottom Dog.
Arts Page tapped Myles, playwright and performer, for insight into his homage to Oscar Wilde.
โI have been a fan of Wilde for a very long time, going back first, I suppose, to when I was a teenager and came across his fairy stories. And I did study โThe Importance of Being Earnestโ for my Leaving Cert.โ
He pursued plays by the 19th century artistย in Limerick, Cork and Dublin venues. โThe one that made the greatest impression was โSalomeโ at The Gate by Stephen Berkoff [RR caught same in the West End]. To see it on stage and in that production was eyeopening.โ
Myles Breen began to delve back into Oscarโs other works driven byย the depth of poetry and lyricism that defined โSalomeโ.
Character matters. There are parallel lines to both of you beyond poetic hair, I suggest. He smiles and looks away.
โWilde is such a complicated character. There is the showman. There is the really serious artist who sits alone in his room and writes. That contradiction between the very public and very private is fascinating, that paradox, as it were.โ
Homosexuality and suppression and expression โhas a relevance todayโ and he muses on the establishmentโs ambivalence to tolerance. Move outside certain allowed boxes and you are slammed.
The structure to this Limerick show? โWe try to focus on the different Wildes, the celebrity wit, the writer and the lover. Then there is the criminal and the exile.
โThe other thing is that, if you could meet Oscar Wilde, what questions would you ask him? That is sort of the โthrough lineโ throughout. Obviously he is not here to speak for himself but he does answer some of these questions in his works, also in his personal writings, his letters.โ
The shining, inimitable beauty of Wildeโs prose, poetry and his confessional self as recorded are principal to Mylesโ script. Much is verbatim but the storytelling is biographical, illustrative and of course, eloquent.
He laughs about collaborating with Liam OโBrien again and โgoing full circle again with Dave OโBrien who was lighting director for โLanguage Unbecoming a Ladyโ. Theatre is always collaborative so hopefully we can score gold twice with this โ it is only my second ever solo show.โ
That first production earned three nominations at NYโs Origin Theatre Festival and Bottom Dog returned to Limerick with Best Actor confirmed. Myles credits his colleagues generously.
โWe also go towards the audience, yes, breaking that fourth wall. And Oscar Wilde makes an appearance. I just hope he doesnโt upstage me!โ Then, that big Breen smile, a big laugh and this Limerick man is off out the door in his velvet corduroy.