STOP all the clocks. Druid Theatre returns to Limerick March 7 to 10 with Beckettโs โWaiting for Godotโ. The tight ensemble of Aaron Monaghan, Marty Rea, Garrett Lombard and Rory Nolan is directed by Tony-winning Garry Hynes for a show that began as a fortnightโs gig for Galway Arts Festival 2016. Their โGodotโ remains in demand, drawing crowds, and coos from UK and Ireland critics.
Back then, actors who had made this Beckett glorious in the 21st century, Barry McGovern, Alan Stanford and Stephen Brennan shipped out west to take a look. Such was their encouragement and the general reaction in the โsmall, intimate spaceโ of Druidโs own Mick Lally Theatre that soon, Druid was on the road, taking its caravan to outlying islands and country roads.
It moved across the Atlantic in Summer, where the actors found themselves shifting tack to engage what came across as โa conservative audienceโ.
The cast areย always excited about it, โthe simplicity and profundityโ of its economic fragments and the play-off between pairs under a silvery moon.
Aaron Monaghan gave Limerick Post an eye-in to their production from Princeton, New Jersey. Itโs where he and Garrett Lombard are doing โStones in their Pocketโ: โWe are seven weeks in the States,โ he says reflectively, anticipating a short rehearsal time back home for this next iteration of โGodotโ. โAnd every time we are overseas we are flying the Irish flag, pulling on the green jersey.โ
Travel to unexpected parts is par with Druidโs avowed pursuit of audiences,ย provincial lovers of theatre who would never get to The Paleโs hot grid of professional productions. The show went on to festivals such as South Carolinaโs cross-genre Spoleto, a right juggernaut. โGodotโ starts up again for March 2018. Critical word is that it is rich in tragicomedic appeal and beautifully rounded.
Aaron Monaghan is a Cavan man who trained in acting in a tough three years at Trinity. He fell into the game in a haphazard way and has worked consistently since 2002 – which means a lot of life spent on road.
You may know Monaghanโs blunt, handsome features from televisionโs โLove/ Hateโ, โVikingsโ, even โThe Tudorsโ. He has been a frequent flyer here with DruidMurphyโs โConversations on a Homecomingโ; โThe Beauty Queen of Leenaneโ; โThe Colleen Bawnโ and the mighty Henriad of DruidShakespeare. He is often the man with a job to do, driving the plot forward doggedly.
Tom Murphy is his all-time great and the actors in โWaiting for Godotโ bonded fiercely doing Murphyโs โFamineโ donkeyโs years back. From that critical mass, the Druid Ensemble emerged, embracing Dearbhaile Crotty, Aishling OโSullivan, Marie Mullen and more.
What is this head-scratcher โGodotโ about? โGodot is about everything. I think it is about love, about companionship, what it means to be alive.
โI think itโs about what it means to be human, to live, to be part of a couple whether it is friendship or a relationship, living an existenceโ. And the tenacity it takes to go on.
โIt is quite a physical show. Beckett had written all these Marx Brothers routines in, Laurel and Hardy broadsides and we have kept to all of this. Thereโs quite a vaudevillian feel to itโ.
The shuffle between Vladimir/ Marty Rea and a seemingly confused Estragon/ Monaghan is counterpoint to the characters Lucky/ Lombard and Pozzo/ Nolan who wander irregularly on that placeless, timeless, featureless landscape. Thereโs a kindness to it all.
Bookย on www.limetreetheatre.ie, Wednesday March 7 to Saturday 10, 8pm shows.