The Limerick Soviet: Bread Not Profits

Mike Finn in a still from On The Wire, a previous collaboration with Terry O'Donovan

BEST known for his shows โ€˜Pigtownโ€™ and โ€˜The Unlucky Cabin Boyโ€™, Mike Finn has a 30 year history originating and producing work, first with Island Theatre Company. He went on to co-found Bottom Dog and in recent years, has been a gun for hire across various platforms and is current theatre artist in residence, Belltable.

The proud Thomond manโ€™s next is โ€˜Bread Not Profitsโ€™. This is a play in progress that will see evening light at Belltable on Thursday December 14, 6pm and 8pm readings.

Yes, these will be read rehearsals and not a costumed production with all the bells a-chiming. Set aside 90 minutes for the professional cast of 12 pulled together for โ€˜Bread Not Profitsโ€™, homage to the Limerick Soviet.

A Limerick Soviet? โ€˜Get up the yardโ€™ is the understandable reaction but yes, Treaty City did experience such. Nor were we an isolated case in Europe.

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โ€œWhat โ€˜sovietโ€™ means in Russia is a workersโ€™ council,โ€ explains this low-profile writer, actor, producer. โ€œThe Limerick Soviet goes back to the time of a general strike against the British military who declared military law in the city and created barricades around it. Permits were required to move in and out.โ€

Thereโ€™s a look back to Pigtownโ€™s telescoping of Limerick through the 19th century in this rebellious tale. And having co-devised 2014โ€™s moving WW1 dramaturgy โ€˜On The Wireโ€™, Finn also acted in and sang in soldier guise in that City of Culture production directed by Terry Oโ€™Donovan. Marie Boylanโ€™s concept took an Irish Times Theatre Award.

Finn is back with Oโ€™Donovan in the directorโ€™s chair for โ€˜Bread Not Pofitsโ€™. He is delighted to be so. โ€œI knew Terry when he was coming up through โ€˜Limerick Youth Theatre. Now he is an amazingly accomplished theatre director with his own company, working out of London.โ€

Oโ€™Donovan is the energetic master of site-specific works. Did anyone out there share my thrill in his six (simultaneous) scene play set in the luxurious Savoy Hotel on Henry Street? Each circulating set was arrived at in a bedroom by the likewise circulating audience as we trailed the dizzy mess of a wedding/ betrayal in โ€˜I Doโ€™. Rare craic, and complex staging.

As theatre artist in residence at Belltable, Mike Finn secured Terry Oโ€™Donovan for โ€˜Bread Not Profitisโ€™ through the Belltable:Connect development programme.ย  Mike continues:

โ€œWhat was unique about Limerickโ€™s Soviet is that the tradespeople took over the running of the entire cityโ€. They printed money vouchers, circulated food, smuggled goods and guns and people where possible.

Next weekโ€™s reading is the second draft of this work. โ€œThe plan is to do the play in 2019, the centenary of the strike, in Cleeveโ€™s Factoryโ€.

That is the only edifice remaining of the great industrial era of Limerick manufacture โ€“ and its Bolshie workers who took a stand against control by an imperial power.

Book at venue manager www.limetreetheatre.ie

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