
TAKE an alternative venue, a room up three flights at an old Georgian, No. 74 OโConnell Street. Take a determined actress, Michelle OโFlanagan (Quarry, Torch Players) who first attempted โa script that is extremely difficult at timesโ a year before, says writer and director John A Murphy.
Take a show that was first staged in Andrews Lane, Dublin more than a decade go with the exceptional Joan Sheehy. It was produced by Corkโs Blood in the Alley.
Take another theatre company, Murphyโs own Bottom Dog, which is broke. And the show that we invoke, the connecting point to these challenges? โSmalloneโ.
โIt eventually played in Paris at an Irish cultural festival. I didnโt go, I couldnโt afford it at the time, or I thought I couldnโt,โ Murphy recalls ruefully, annoyed with his prudence.
Smalloneโs Limerick premier opens on Wednesday May 10, 8pm to an invited audience only, thereafter booking openly on 085-2085737 into Saturday May 13.
โIt is about a woman on her own whom we might call odd, different. She is on her own path which is opposite or sometimes parallel with the main roadโฆthat person who is just โoffโ or seen as eccentric or nuts. What makes a person like that?โ
John A Murphy is one to ruminate about life, to rummage in and around the flotsam of humanity. He is compassionate and empathic, sometimes angry.
Of this character โSmalloneโ, โthe word โisolatingโ comes to the fore. How do you get to the point of going on your own from the world?
โWe get glimpses of the past and present. Sometimes she seems older than she is, other times sheโs a little kidโ.
Theatrical points: โIt is written in a very odd language thatโs quite fragmented, hops around a bit.
โFor a while you [the audience]have to commit to bearing with what she is saying. Sound wise, voices come through, interjections that are Smalloneโs own.
โThere are very painful moments that at least partly explain how she isโ.
Pius McGrath is on sound and lighting for the 80 minutes at this โbare bones of a venueโ lit by LED. Secure one of 30 seats nightly in advance.