Smallone, the quare one

Michelle O'Flanagan photographed in character by Pat Clarke Brown/ Munster Business
Michelle O’Flanagan in character by Pat Clarke Brown/ Munster Business

TAKE an alternative venue, a room up three flights at an old Georgian, No. 74 Oโ€™Connell Street. Take a determined actress, Michelle Oโ€™Flanagan (Quarry, Torch Players) who first attempted โ€œa script that is extremely difficult at timesโ€ a year before, says writer and director John A Murphy.

Take a show that was first staged in Andrews Lane, Dublin more than a decade go with the exceptional Joan Sheehy. It was produced by Corkโ€™s Blood in the Alley.

Take another theatre company, Murphyโ€™s own Bottom Dog, which is broke. And the show that we invoke, the connecting point to these challenges? โ€˜Smalloneโ€™.

โ€œIt eventually played in Paris at an Irish cultural festival. I didnโ€™t go, I couldnโ€™t afford it at the time, or I thought I couldnโ€™t,โ€ Murphy recalls ruefully, annoyed with his prudence.

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Smalloneโ€™s Limerick premier opens on Wednesday May 10, 8pm to an invited audience only, thereafter booking openly on 085-2085737 into Saturday May 13.

โ€œIt is about a woman on her own whom we might call odd, different. She is on her own path which is opposite or sometimes parallel with the main roadโ€ฆthat person who is just โ€˜offโ€™ or seen as eccentric or nuts. What makes a person like that?โ€

John A Murphy is one to ruminate about life, to rummage in and around the flotsam of humanity. He is compassionate and empathic, sometimes angry.

Of this character โ€˜Smalloneโ€™, โ€œthe word โ€˜isolatingโ€™ comes to the fore. How do you get to the point of going on your own from the world?

Co-founder of Island, and Bottom Dog theatre companies

โ€œWe get glimpses of the past and present. Sometimes she seems older than she is, other times sheโ€™s a little kidโ€.

Theatrical points: โ€œIt is written in a very odd language thatโ€™s quite fragmented, hops around a bit.

โ€œFor a while you [the audience]have to commit to bearing with what she is saying. Sound wise, voices come through, interjections that are Smalloneโ€™s own.

โ€œThere are very painful moments that at least partly explain how she isโ€.

Pius McGrath is on sound and lighting for the 80 minutes at this โ€œbare bones of a venueโ€ lit by LED. Secure one of 30 seats nightly in advance.

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