Everyman bound within The Prison of Oil

Otto, as played by John Anthony Murphy; his younger self by Danny Lynch
Otto, as played by John Anthony Murphy; his younger self by Danny Lynch

ISLEBORO Productions was set up by performing artist Kevin Kiely Jnr last year and itโ€™s been boom-boom since with dance, theatre and film projects. With his film โ€˜The Cheese Boxโ€™ selected for Cannes, this Guildford-trained actor will drive to the Riviera with director Paddy Murphy and contrive to shoot a film short and a documentary en route.

โ€˜The Prison of Oilโ€™ is his current theatre concept at Limerick City Build, formerly Cahill May Roberts, in Bank Place. This echoing barren warehouse works well to frame a work with fierce heart.

Kiely is writer, director and producer. To play the sole character Otto in โ€˜The Prison of Oilโ€™, he has cast a winning Danny Lynch (9) to polarise with mature self, John A Murphy. Murphy is better known for ability in direction but here he is a man with a strongly coiled presence. Slightly stooped, thereโ€™s a hint of wounded vainglory.

Look forward to a tense, electric hour with this prisoner from now until April 30 and again May 3-7, 8pm. We face into a grille, see the painterโ€™s oddly pristine table, a blankย  series of canvas. To paint is to sully their perfection; we project wild theories and his indefensible defences instead.

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โ€œWe found the story physically first, through improvising found the physical journey – by not having a script going into it,โ€ Kiely begins. โ€œThis a high wire, high risk process. I want to be a maker of theatre, not interpreting Sean Oโ€™Casey for the rest of my lifeโ€.

โ€œโ€˜The Prison of Oilโ€™ plays with a construct,โ€ he states. โ€œAs an audience, you are looking at a canvas and easel, a table full of pigment, linseed, brushesโ€.

The narrative is Otto tracking his route to power and its corruption. Kevin Kiely Jnr looked into how Hitler got in… by democratic vote. Bureaucrat Adolf Eichmann became โ€˜the architect of the Holocaustโ€™, a nonentity who sent millions to their death and gloated.

Props are spare but effective: a trainset, the heart-shaped palette. Sound and visuals shatter the emptiness, albeit with occasional glitch. Young Otto plays on in poignant contrast.

Tickets โ‚ฌ10 from Oโ€™Mahony Booksellers/ โ‚ฌ11.43 Eventbrite yield a Tiger beer in The Red Hen, Patrick Street after the show.

Review by Rose Rushe

Isleboro acknowledges the Irish Chamber Orchestra, Ray O’Halloran, Mick Dolan, Dr Mike Finneran in their support of this production.

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